Kerri Arsenault is a literary critic, director and co-founder of The Environmental Storytelling Studio (TESS), and author of Mill Town: Reckoning with What Remains. Her writing has been published in the Boston Globe, The Paris Review, the New York Review of Books, Freeman’s, the Washington Post, and the New York Times. In 2025, Kerri will be part of the teaching ensemble at The New School of the Anthropocene, and launching a new version of TESS that will be more flexible, more mobile, more accessible and more environmentally friendly.
Mill Town won the Rachel Carson Environment Book Award from the Society of Environmental Journalists, the Maine Literary Award for nonfiction, and an Inge Feltrinelli Prize, dedicated to women writers who have used their voices in defense of human rights. Mill Town was also a finalist for the National Book Critics Circle Leonard Prize, the Eric Zencey Prize in Ecological Economics, the New England Independent Booksellers Association nonfiction prize, the New England Society Book Awards, the Connecticut Book Awards, and a semi-finalist for the Chautauqua Prize.
Recently, Kerri was the Democracy Fellow at Harvard’s Charles Warren Center for Studies in American History and a fellow at the Science History Institute in Philadelphia. Her work has also been supported by Chatham University’s Falk School of Sustainability; the Rachel Carson Center for Environment & Society at Ludwig-Maximilians-Universität München; University of Oregon’s Center for Environmental Futures; and the Architectural League of New York, and writing residencies at Litteraturhuset in Oslo, Norway; Corsicana Artist and Writer Residency in Texas; and Bread Loaf at Middlebury College, Vermont.
Kerri is a mentor for the New City Critics Fellow program & a member of the American Society for Environmental History, Maine Writers & Publishers Alliance, Pen America, and the National Book Critics Circle, where I formerly served on the Board.