“A haunting, hopeful tale of resilience, reckoning, and the redemptive power of truth.” — Sarah Penner, New York Times bestselling author of The Amalfi Curse

Meagan Church is the instant New York Times and USA Today bestselling author of The Mad Wife, The Girls We Sent Away, and The Last Carolina Girl. Her emotionally charged, empathy-driven fiction explores women’s inner lives and the silencing of their stories. Meagan holds a B.A. in English from Indiana University and is an adjunct for Drexel University’s MFA in creative writing program. A Midwesterner by birth, she now lives in North Carolina with her high school sweetheart, three children, and a plethora of pets.

Meagan's Featured Titles

The Mad Wife: A Novel

Sourcebooks Landmark |
Psychological Thriller

THE INSTANT NEW YORK TIMES BESTSELLER

From bestselling author Meagan Church comes a haunting exploration of identity, motherhood, and the suffocating grip of societal expectations that will leave you questioning the lives we build―and the lies we live.

They called it hysteria. She called it survival.

Lulu Mayfield has spent the last five years molding herself into the perfect 1950s housewife. Despite the tragic memories that haunt her and the weight of exhausting expectations, she keeps her husband happy, her household running, and her gelatin salads the talk of the neighborhood. But after she gives birth to her second child, Lulu’s carefully crafted life begins to unravel.

When a new neighbor, Bitsy, moves in, Lulu suspects that something darker lurks behind the woman’s constant smile. As her fixation on Bitsy deepens, Lulu is drawn into a web of unsettling truths that threaten to expose the cracks in her own life. The more she uncovers about Bitsy, the more she questions everything she thought she knew―and soon, others begin questioning her sanity. But is Lulu truly losing her mind? Or is she on the verge of discovering a reality too terrifying to accept?

In the vein of The Bell Jar and The HoursThe Mad Wife weaves domestic drama with psychological suspense, so poignant and immersive, you won’t want to put it down.

The Girls We Sent Away: A Novel

Sourcebooks Landmark |
Historical Fiction

“An important and vital story”― Donna Everhart, USA Today bestselling author of The Saints of Swallow Hill

A searing book club read for fans of Ellen Marie Wiseman and The Girls with No Names set in the Baby Scoop Era of 1960s and the women of a certain condition swept up in a dark history.

It’s the 1960s and Lorraine Delford has it all – an upstanding family, a perfect boyfriend, and a white picket fence home in North Carolina. Yet every time she looks through her father’s telescope, she dreams of the stars. It’s ambitious, but Lorraine has always been exceptional.

But when this darling girl-next-door gets pregnant, she’s forced to learn firsthand the realities that keep women grounded.

To hide their daughter’s secret shame, the Delfords send Lorraine to a maternity home for wayward girls. But this is no safe haven – it’s a house with dark secrets and suffocating rules. And as Lorraine begins to piece together a new vision for her life, she must decide if she can fight against the powers that aim to take her child or submit to the rules of a society she once admired.

Powerful and affecting, The Girls We Sent Away is a timely novel that explores autonomy, belonging, and a quest for agency when the illusions of life-as-you-know-it fall away.

The Last Carolina Girl: A Novel

Sourcebooks Landmark |
Women’s Fiction

A searing book club novel for fans of Where the Crawdad’s Sing and The Girls in the Stilt House following one girl fighting for her family, her body, and her right to create a future all her own

Some folks will do anything to control the wild spirit of a Carolina girl…

For fourteen-year-old Leah Payne, life in her beloved coastal Carolina town is as simple as it is free. Devoted to her lumberjack father and running through the wilds where the forest meets the shore, Leah’s country life is as natural as the Loblolly pines that rise to greet the Southern sky.

When an accident takes her father’s life, Leah is wrenched from her small community and cast into a family of strangers with a terrible secret. Separated from her only home, Leah is kept apart from the family and forced to act as a helpmate for the well-to-do household. When a moment of violence and prejudice thrusts Leah into the center of the state’s shameful darkness, she must fight for her own future against a world that doesn’t always value the wild spirit of a Carolina girl.

Set in 1935 against the very real backdrop of a recently formed state eugenics board, The Last Carolina Girl is a powerful and heart-wrenching story of fierce strength, forgotten history, autonomy, and the places and people we ultimately call home.

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The Mad Wife: Madness, Motherhood, and Misdiagnosis

Inspired by real medical practices of the 1950s, The Mad Wife explores how women’s physical and emotional suffering was often dismissed as hysteria. In this talk, Church delves into the intersections of motherhood, grief, medical misdiagnosis, and power, tracing how women’s voices were silenced—and what it costs when society refuses to listen. Thought-provoking and deeply human, this talk resonates with audiences interested in women’s history, mental health, and the lingering echoes of gendered medicine.

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The Girls We Sent Away: Shame, Silence, and Empathy

In this talk, Meagan Church explores the true history behind The Girls We Sent Away—the hidden maternity homes where thousands of young women were sent to give birth in secrecy during the mid-20th century. Blending historical research, personal connection, and storytelling, Church examines how shame and silence shaped generations of women, and how empathy, fiction, and truth-telling can begin to undo that harm. This talk invites audiences to reconsider the stories we’ve inherited and the ones we still struggle to tell.

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The Last Carolina Girl: When Real Life Inspires Fiction

Drawing from her debut novel, Meagan Church reflects on the moment when personal history, family lore, and place transform into fiction. This talk explores how real lives, especially women’s lives, are shaped, softened, or erased over time, and how storytelling becomes a way to reclaim what was lost. Part memoir, part literary reflection, this is a conversation about history, inheritance, and the thin line between truth and imagination.

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All Stories Are Ghost Stories: Empathy and the Echoes of Women’s Lives

Across her novels, Meagan Church returns to the same central question: whose stories haunt us, and why? In this keynote-style talk, she weaves together themes from all three books to explore how women’s lives—especially those marked by silence, shame, or misdiagnosis—continue to echo across generations. This talk examines empathy as both a creative force and a moral responsibility, inviting audiences to consider how fiction helps us listen to voices history tried to erase.

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Creating Compelling Characters: Writing with Empathy

In this interactive workshop, Meagan Church guides writers through the art of creating layered, believable characters rooted in empathy rather than archetype. Drawing on literary examples and practical exercises, she explores how understanding a character’s inner life leads to richer conflict, deeper emotional resonance, and more powerful storytelling. Designed for writers at all levels, this workshop emphasizes craft, curiosity, and the courage to see characters fully.

Meagan’s Events Page

Honors, Awards & Recognition

New York Times Bestseller
USA Today Bestseller
Publisher’s Weekly Bestseller
ABA Bestseller
SIBA Bestseller
Twin Cities Live Book Club Pick (The Mad Wife)
Our State Magazine Book Club Pick (The Mad Wife)
North Carolina Reads Statewide Book Club Pick (The Girls We Sent Away)
Bronze Award for Editorial Profile — “The Family Fight: The Story of a Mother and Daughter Battling Breast Cancer Together” from Parenting Media Association

Media Kit

By clicking the link below you will be directed to a Google Docs Folder
where you can download author photos and cover images.

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