“I’ve been hosting author events for almost 50 years, and Michael Finkel provided one of the best I have ever seen. Michael is funny, informative, and illuminating. He has an appealingly casual, nonacademic style. Everyone in attendance was riveted and enthralled. We are looking forward to having him speak here again.” — Elaine Petrocelli, owner of Book Passage in Corte Madera, California
“Michael Finkel brought so much energy, enthusiasm, and care to his talk for our One Book One Valley community read on “The Stranger in the Woods.” He took our audience beyond the book with photos, videos, letters, and stories from his research and interactions. He’s a gifted storyteller, blending insight and humor into both his presentation and his answers to audience questions. He clearly loves exploring the complexities of the people he writes about, along with his own conflicted feelings about them. This joy and intensity is palpable when he’s speaking-–he had our audience fully engaged and immersed from start to finish!” — Eric White, Adult Services Librarian, Estes Valley Library, Estes Park, Colorado
“What a delight! Michael Finkel’s presentations are fascinating, informative, and extraordinarily entertaining. His easy-to-listen-to delivery and his sense of humor had the audience hooked. He’s a true professional.” — Kase Johnstun, Program Manager, Utah Center for the Book
“It was an absolute pleasure to host Michael Finkel for a presentation at our library. He was outstanding — such an engaging and generous speaker. The audience was enthralled, and I thought his Q&A was fantastic, the way had such witty interactions with the attendees. We were thrilled to have him speak as part of the Wasatch Back Book Festival.” — Adriane Juarez, Executive Director, Park City Library, Park City, Utah
“Michael Finkel was terrific to work with when he visited Westport for our community-wide read. His conversation during the evening program was entertaining and educational and the audience enjoyed both his book and his presence.” — Jennifer Keller, Senior Programming & Events Coordinator, The Westport Library, Westport, Connecticut
“The author was a hoot!” — Two separate audience members, Estes Valley Library, Estes Park, Colorado
The Art Thief
“The Art Thief, like its title character, has confidence, élan, and a great sense of timing. It is propelled by suspense and surprises….This ultra-lucrative, odds-defying crime streak is wonderfully narrated by Finkel, in a tale whose trajectory is less rise and fall than crazy and crazier….Part of what makes Finkel’s book so much fun is that, without exception, [Breitwieser’s] strategies are insane.” — Kathryn Schulz, The New Yorker
“A mesmerizing true-crime psychological thriller….The Art Thief develops the tension of a French policier, where the crook (for whom you alternately feel sympathy and disgust) has Maigret or Poirot hot on his trail. The final outcome is a shock. Mr. Finkel tells an enthralling story. From start to finish, this book is hard to put down.” — Moira Hodgson, The Wall Street Journal
“Enthralling…In animated and colorful prose, Finkel summons the emotional intensity of a murder mystery. But old masters, not bodies, are missing….The Art Thief is about heists, yes, but it also speaks to much more.” — Brandon Tensley, The Washington Post
“Exhilarating…Finkel’s narrative thrills and electrifies, until it all barrels toward inevitable capture, two shocking betrayals, and an astonishing conclusion.” — Adrienne Westenfeld, Esquire
“Thrilling…Finkel deftly unspools the story of Breitwieser’s improbable years-long adventure.” — Geoffrey Gagnon, GQ
“Meticulously detailed, [a] page-turning account….As much a crime caper as a psychological thriller, Finkel’s narrative interweaves gripping descriptions of Breitweiser’s in-plain-sight thefts armed with nothing more than stealth and a Swiss Army knife, a concise history of global art theft, and psychologists’ musings on Breitwieser’s unconscious motivations….Finkel deftly keeps us swaying between great sympathy for his central character and profound suspicion.” — Jenny McPhee, Air Mail
“It is romantic to liken art thieves to Pierce Brosnan’s glamorous character in The Thomas Crown Affair. The reality is far less charming. Case in point: Stéphane Breitwieser, one of the most successful art thieves of all time. From roughly 1994 to 2001, Breitwieser executed more than 200 heists. The book’s first lesson? Europe has a lot of understaffed historic buildings. The second? Even a kleptomaniac with delusions of grandeur can be made mildly sympathetic in the hands of a skilled writer.” — James Tarmy, Bloomberg
“The author’s account of the skulduggery is thrilling…. [Breitwieser] emerges from this astonishing tale as a tragic figure.” — The Economist
“The Art Thief benefits from a built-in ticking clock as time runs out for Breitwieser and his girlfriend. Finkel controls the pace effortlessly, broadening and narrowing focus from the day-to-day of the thieves to the intricate plotting of their thefts and a history of art crime, as well as who steals and why. That combined with mounting dread for the artworks’ fate makes for a heart-pounding read.” — Maren Longbella, Minneapolis Star Tribune
“Finkel turns his extensive research and interviews into a suspenseful story that reads like a novel. He relates Breitwieser’s technique in vivid detail, and then shows us what happened to an estimated $2 billion worth of paintings, sculptures and other works. Finkel explores the relationships between Breitwieser and the women in his life, along with interesting bits of art history. A true-crime thriller that’s a work of art.” — Suzanne Perez, KMUW Wichita, Kansas
“The level of detail Finkel is able to provide… is uncomfortably gripping, as if the reader is watching these events unfold and working as an accomplice to the French robber’s crimes…. Although the definition of a page-turner, this book will also likley force the reader to consider why details of this kind are so exhilarating to us in the first place.” — St. Louis Post-Dispatch
“Finkel has crafted The Art Thief with finesse and élan. He tells his tale of obsessive desires and ornate objects in measured and unadorned prose; employs a supple structure that separates the multiple threads of the tale while also exploring their weave; and advances the linear plot with narrative strategies that not only anticipate its foregone conclusion without giving it away, but also incorporate into the unfolding events his retrospective analyses of them….[Finkel] manages point of view with deftness and purpose….The Art Thief…morphs from an entertaining caper story into a claustrophobic study in pathology…An absorbing but disquieting read.” — Charles Caramello, Washington Independent Review of Books
“This is an absorbing and astonishing portrait of a fascinating and complicated character—a riveting story of obsession and misplaced brilliance.” — Kirk Wallace Johnson, best-selling author of The Feather Thief and The Fishermen and the Dragon
“In this masterful true crime account, Finkel traces the fascinating exploits of Stéphane Breitwieser, a French art thief who stole more than 200 artworks…turning his mother’s attic into a glittering trove of oil paintings, silver vessels, and antique weaponry….Drawing on art theory and Breitwieser’s psychology reports, Finkel speculates on his subject’s addiction to beauty….It’s a riveting ride.” — Publishers Weekly, starred review
“The tale of a strong candidate for the title of ‘most prolific art thief ever….’ Finkel’s play-by-play of each theft has the pacing and atmosphere of a good suspense tale….The author describes each acquisition as well as Breitwieser’s simple but effective methods….Finkel’s extensive research, survey of art history, and hours of interviews with his subject combine for a compelling read.” — Kirkus
“A riveting ride….An engrossing true crime narrative….Obsessive crime, dangerous beauty, ill-fated love: The Art Thief is the stuff of noir fiction, made all the more compelling and audacious for its authenticity.” — BookPage
“From the opening chapter, Finkel’s tight prose heightens the drama of each theft, as Breitweiser and his girlfriend Anne-Catherine Kleinklaus, who serves as his lookout, enter Belgium’s Rubens House amid visitors and guards….A fascinating read. Finkel will have art history and true crime lovers obsessively turning the pages of this suspenseful, smartly written work until its shocking conclusion.” — Library Journal
“The Art Thief is both comprehensive and completely absorbing. It will have you wondering, as judges and juries did, if the defendant is a career criminal or simply an aesthete.” — Lorraine W. Shanley, BookReporter
The Stranger in the Woods
“Astonishing. . . . An absorbing exploration of solitude and man’s eroding relationship with the natural world.” — The Atlantic
“Campfire-friendly and thermos-ready, easily drained in one warm, rummy slug. It also raises a variety of profound questions—about the role of solitude, about the value of suffering, about the diversity of human needs.” — The New York Times
“[A] fascinating story. . . . Finkel manages to pry powerful words from the man who may hold the world title for silent retreat.” — San Francisco Chronicle
“A story that takes the two primary human relationships—to nature and to one another—and deftly upends our assumptions about both. This was a breathtaking book to read and many weeks later I am still thinking about the implications for our society and—by extension—for my own life.” — Sebastian Junger, author of Tribe: On Homecoming and Belonging
“As strong as Finkel’s storytelling instincts and prose are, his greatest feat in writing The Stranger in the Woods is the journalistic diligence and humanity he brought to Knight. . . . Through Finkel, Knight is able to speak up with his own voice at last.” — Paste
“[Knight’s] story will speak to anyone who has ever walked through the wilderness and considered, even for a moment, whether ever to leave.” — Field & Stream
“Moving and haunting. . . . A beautifully rendered, carefully researched story.” — PopMatters
“Riveting. . . . A stunning look inside at the life and inner thoughts of one of our era’s most confounding characters.” — Bangor Daily News
“Thought-provoking and enduring . . . Will leave readers thinking deeply about modern society, the search for meaning, and the impact of solitude. Finkel is a skilled storyteller.” — Portland Press Herald (Maine)
“I was drawn through these pages in a single sitting—their pull is true and magnetic. . . . [Knight’s] tale becomes universal thanks to the expert care of Finkel’s writing. . . The Stranger in the Woods is, ultimately, a meditation on the pains of social obligation and the longing toward retreat that resides in us all.” — Michael Harris, The Globe and Mail (Toronto)
“Michael Finkel has done something magical with this profound book . . . [His] investigation runs deep, summoning . . . the human history of our own attempts to find meaning in a noisy world.” — Michael Paterniti, author of Driving Mr. Albert: A Trip Across America with Einstein’s Brain
“Chris Knight is an American original . . . I burned through this haunting tale in one rapt sitting.” — John Vaillant, author of The Golden Spruce: A True Story of Myth, Madness, and Greed