From the award-winning author of The One-in-a-Million Boy comes a deeply moving story about a young woman recently released from prison who finds an unlikely ally in the widower of the woman she killed. 

Our Reasons meet us in the morning and whisper to us at night. Mine is an innocent, unsuspecting, eternally sixty-one-year-old woman named Lorraine Daigle…

Violet Powell, a twenty-two-year-old from rural Abbott Falls, Maine, is being released from prison after serving twenty-two months for a drunk-driving crash that killed a local kindergarten teacher.

Harriet Larson, a retired English teacher who runs the prison book club, is facing the unsettling prospect of an empty nest.

Frank Daigle, a retired machinist, hasn’t yet come to grips with the complications of his marriage to the woman Violet killed.

When the three encounter each other one morning in a bookstore in Portland—Violet to buy the novel she was reading in the prison book club before her release, Harriet to choose the next title for the women who remain, and Frank to dispatch his duties as the store handyman—their lives begin to intersect in beautiful, transformative ways.

How to Read a Book is an unsparingly honest and profoundly hopeful story about letting go of guilt and seizing second chances. With the heart, wit, grace, and depth of understanding that has characterized her work, Monica Wood illuminates the decisions that define a life and the kindnesses that make life worth living.

In nine interlinking stories, the town of Abbot Falls reacts as Ernie Whitten, pipefitter, builds a giant ark in his backyard. Ernie was weeks away from a pension-secured retirement when the union went on strike. Now his wife Marie is ill. Struck with sudden inspiration, Ernie builds the ark as a work of art for his wife to see from the window; a vessel to carry them both away; or a plea for God to spare Marie, come hell or high water.

As the ark takes shape, the rest of the town carries on. There’s Dan Little, a building-code enforcer who comes to fine Ernie for the ark and makes a significant discovery about himself; Francine Love, a precocious thirteen-year-old who longs to be a part of the family-like world of the union workers; and Atlantic Pulp & Paper CEO Henry John McCoy, an impatient man wearily determined to be a good father to his twenty-six-year-old daughter. The people of Abbott Falls will try their best to hold a community together, against the fiercest of odds. . . .

Few writers can capture the extraordinary within seemingly ordinary lives as does Monica Wood. An unforgettable tapestry of love, loneliness–and neighbors.

The incandescent story of a 104-year-old woman and the sweet, strange young boy assigned to help her around the house — a friendship that touches each member of the boy’s unmoored family

For years, guitarist Quinn Porter has been on the road, chasing gig after gig, largely absent to his twice-ex-wife Belle and their odd, Guinness records–obsessed son. When the boy dies suddenly, Quinn seeks forgiveness for his paternal shortcomings by completing the requirements for his son’s unfinished Boy Scout badge. For seven Saturdays, Quinn does yard work for Ona Vitkus, the wily 104-year-old Lithuanian immigrant the boy had visited weekly. Quinn soon discovers that the boy had talked Ona into gunning for the world record for Oldest Licensed Driver — and that’s the least of her secrets. Despite himself, Quinn picks up where the boy left off, forging a friendship with Ona that allows him to know the son he never understood, a boy who was always listening, always learning. The One-in-a-Million Boy is a richly layered novel of hearts broken seemingly beyond repair and then bound by a stunning act of human devotion.

Winner of the 2012 Sarton Memoir Award

“Every few years, a memoir comes along that revitalizes the form…With generous, precise, and unsentimental prose, Monica Wood brilliantly achieves this . . . When We Were the Kennedys is a deeply moving gem!”—Andre Dubus III, author of House of Sand and Fog and Townie

Mexico, Maine, 1963: The Wood family is much like its close, Catholic, immigrant neighbors, all dependent on the fathers’ wages from the Oxford Paper Company. But when Dad suddenly dies on his way to work, Mum and the four deeply connected Wood girls are set adrift. When We Were the Kennedys is the story of how a family, a town, and then a nation mourns and finds the strength to move on.

“On her own terms, wry and empathetic, Wood locates the melodies in the aftershock of sudden loss.”—Boston Globe

“[A] marvel of storytelling, layered and rich. It is, by turns, a chronicle of the renowned paper mill that was both pride and poison to several generations of a town; a tribute to the ethnic stew of immigrant families that grew and prospered there; and an account of one family’s grief, love, and resilience.”—Maine Sunday Telegram

After surviving a near-fatal accident, thirty-year-old Lizzy Mitchell faces a long road to recovery. She remembers little about the days she spent in and out of consciousness, save for one thing: She saw her beloved deceased uncle, Father Mike, the man who raised her in the rectory of his Maine church until she was nine, at which time she was abruptly sent away to boarding school. Was Father Mike an angel, a messenger from the beyond, or something more corporeal? Though her troubled marriage and her broken body need tending, Lizzy knows she must uncover the details of her accident–and delve deep into events of twenty years before, when whispers and accusations forced a good man to give up the only family he had. With deft insight into the snares of the human heart, Monica Wood has written an intimate and emotionally expansive novel full of understanding and hope.

He came to me first in a dream, as a crippled dog angling down a country lane, puzzled by his sudden age, his bum paw, the dry stick clamped between his teeth. I’d been expecting this dream for a very long time, and I woke up moving. . . .

Rita Rosario has a gift, a way with people. She listens to them and really sees them for who they are–warts and all. And sometimes, she even knows how to guide them toward a new beginning. Women, even men, come to Rita’s beauty shop for perms, town gossip, and the makeovers of their very lives.

John Reed first appears to Rita in one of her dreams. When they meet at a town gathering a few days later, she immediately offers him a haircut, and her heart. As they share their stories, Rita senses she can help John fill a void by reconnecting him to his only family–a young niece he nearly lost in a heartbreaking tragedy. While inspiring John on a journey out of loneliness and into reconciliation, Rita begins to come to terms with events in her past . . . and discovers things about herself she never realized, including her own intimate role in John’s unfolding story.