Three women in three different eras encounter danger and witchcraft in this eerie multigenerational horror saga from the New York Times bestselling author of Mexican Gothic.

“Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that’s why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales.

In the course of assembling her thesis, Minerva uncovers information that reveals that Tremblay’s most famous novel, The Vanishing, was inspired by a true story: Decades earlier, during the Great Depression, Tremblay attended the same university where Minerva is now studying and became obsessed with her beautiful and otherworldly roommate, who then disappeared under mysterious circumstances.

As Minerva descends ever deeper into Tremblay’s manuscript, she begins to sense that the malign force that stalked Tremblay and the missing girl might still walk the halls of the campus. These disturbing events also echo the stories Nana Alba told about her girlhood in 1900s Mexico, where she had a terrifying encounter with a witch.

Minerva suspects that the same shadow that darkened the lives of her great-grandmother and Beatrice Tremblay is now threatening her own in 1990s Massachusetts. An academic career can be a punishing pursuit, but it might turn outright deadly when witchcraft is involved.

A young woman wins the role of a lifetime in a film about a legendary heroine—but the real drama is behind the scenes in this sumptuous historical epic from the author of Mexican Gothic.

“Whenever I want to read a book I know will be good, I go to Silvia Moreno-Garcia.”—Taylor Jenkins Reid, New York Times bestselling author of The Seven Husbands of Evelyn Hugo

1950s Hollywood: Every actress wants to play Salome, the star-making role in a big-budget movie about the legendary woman whose story has inspired artists since ancient times.

So when the film’s mercurial director casts Vera Larios, an unknown Mexican ingenue, in the lead role, she quickly becomes the talk of the town. Vera also becomes an object of envy for Nancy Hartley, a bit player whose career has stalled and who will do anything to win the fame she believes she richly deserves.

Two actresses, both determined to make it to the top in Golden Age Hollywood—a city overflowing with gossip, scandal, and intrigue—make for a sizzling combination.

But this is the tale of three women, for it is also the story of the princess Salome herself, consumed with desire for the fiery prophet who foretells the doom of her stepfather, Herod: a woman torn between the decree of duty and the yearning of her heart.

Before the curtain comes down, there will be tears and tragedy aplenty in this sexy Technicolor saga.

From the New York Times bestselling author of The Daughter of Doctor Moreau and Mexican Gothic comes a fabulous meld of Mexican horror movies and Nazi occultism: a dark thriller about the curse that haunts a legendary lost film—and awakens one woman’s hidden powers.

Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood.

Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed.

Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse . . . but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend.

As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies.

NEW YORK TIMES EDITORS’ CHOICE • From the bestselling author of Mexican Gothic and Velvet Was the Night comes a lavish historical drama reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico.

“The imagination of Silvia Moreno-Garcia is a thing of wonder, restless and romantic, fearless in the face of genre, embracing the polarities of storytelling—the sleek and the bizarre, wild passions and deep hatreds—with cool equanimity.”—The New York Times

Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman.

Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers.

The hybrids: The fruits of the doctor’s labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities.

All of them live in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Dr. Moreau’s patron, who will unwittingly begin a dangerous chain reaction.

For Moreau keeps secrets, Carlota has questions, and, in the sweltering heat of the jungle, passions may ignite.

The Daughter of Doctor Moreau is both a dazzling historical novel and a daring science fiction journey.

From Silvia Moreno-Garcia, the New York Times bestselling author of Mexican Gothic, comes Certain Dark Things, a pulse-pounding neo-noir that reimagines vampire lore.

Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized.

Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn’t include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in.

Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all?

GOOD MORNING AMERICA BUZZ PICK • From the New York Times bestselling author of Mexican Gothic comes a simmering historical noir about a daydreaming secretary, a lonesome enforcer, and the mystery of the missing woman they’re both desperate to find.

ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, The Boston Globe, New York Public Library, Milwaukee Journal Sentinel, BookPage, She Reads, Library Journal • “An adrenalized, darkly romantic journey.”—The Washington Post

Mexico in the 1970s is a dangerous country, even for Maite, a secretary who spends her life seeking the romance found in cheap comic books and ignoring the activists protesting around the city. When her next-door neighbor, the beautiful art student Leonora, disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents.

Mexico in the 1970s is a politically fraught land, even for Elvis, a goon with a passion for rock ’n’ roll who knows more about kidney-smashing than intrigue. When Elvis is assigned to find Leonora, he begins a blood-soaked search for the woman—and his soul.

Swirling in parallel trajectories, Maite and Elvis attempt to discover the truth behind Leonora’s disappearance, encountering hitmen, government agents, and Russian spies. Because Mexico in the 1970s is a noir, where life is cheap and the price of truth is high.

From the New York Times bestselling author of Mexican Gothic comes a sweeping romance with a dash of magic.

They are the Beautiful Ones, Loisail’s most notable socialites, and this spring is Nina’s chance to join their ranks, courtesy of her well-connected cousin and his calculating wife. But the Grand Season has just begun, and already Nina’s debut has gone disastrously awry. She has always struggled to control her telekinesis—neighbors call her the Witch of Oldhouse—and the haphazard manifestations of her powers make her the subject of malicious gossip.

When entertainer Hector Auvray arrives to town, Nina is dazzled. A telekinetic like her, he has traveled the world performing his talents for admiring audiences. He sees Nina not as a witch, but ripe with potential to master her power under his tutelage. With Hector’s help, Nina’s talent blossoms, as does her love for him.

But great romances are for fairytales, and Hector is hiding a truth from Nina — and himself—that threatens to end their courtship before it truly begins.

Silvia Moreno-Garcia’s The Beautiful Ones is a charming tale of love and betrayal, and the struggle between conformity and passion, set in a world where scandal is a razor-sharp weapon.

The Mayan god of death sends a young woman on a harrowing, life-changing journey in this dark, one-of-a-kind fairy tale inspired by Mexican folklore.

“A spellbinding fairy tale rooted in Mexican mythology . . . Gods of Jade and Shadow is a magical fairy tale about identity, freedom, and love, and it’s like nothing you’ve read before.”—Bustle

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Tordotcom • The New York Public Library • BookRiot

The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own.

Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true.

In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld.

Amelia dreams of Mars. The Mars of the movies and the imagination, an endless bastion of opportunities for a colonist with some guts. But she’s trapped in Mexico City, enduring the drudgery of an unkind metropolis, working as a rent-a-friend, selling her blood to old folks with money who hope to rejuvenate themselves with it, enacting a fractured love story. And yet there’s Mars, at the edge of the silver screen, of life.
It awaits her.

Mexico City, 1988: Long before iTunes or MP3s, you said “I love you” with a mixtape. Meche, awkward and fifteen, has two equally unhip friends – Sebastian and Daniela – and a whole lot of vinyl records to keep her company. When she discovers how to cast spells using music, the future looks brighter for the trio. The three friends will piece together their broken families, change their status as non-entities, and maybe even find love…

Mexico City, 2009: Two decades after abandoning the metropolis, Meche returns for her estranged father’s funeral. It’s hard enough to cope with her family, but then she runs into Sebastian, reviving memories from her childhood she thought she buried a long time ago. What really happened back then? What precipitated the bitter falling out with her father? Is there any magic left?

Spanning a variety of genres—fantasy, science fiction, horror—and time periods, Silvia Moreno-Garcia’s exceptional debut collection features short stories infused with Mexican folklore yet firmly rooted in a reality that transforms as the fantastic erodes the rational. This speculative fiction compilation, lyrical and tender, quirky and cutting, weaves the fantastic and the horrific alongside the touchingly human. Perplexing and absorbing, the stories lift the veil of reality to expose the realms of what lies beyond with creatures that shed their skin and roam the night, vampires in Mexico City that struggle with disenchantment, an apocalypse with giant penguins, legends of magic scorpions, and tales of a ceiba tree surrounded by human skulls.