A poignant coming-of-age story told in two alternating voices: a California teenager railing against the Vietnamese culture, juxtaposed with her father as an eleven-year-old boat person on a harrowing and traumatic refugee journey from Vietnam to the United States.

“A profoundly moving, achingly resonant story of love, family, and coming of age amid the lingering echoes of war; a luminous tapestry woven from the many threads of American dreams.”

―Jeff Zentner, award-winning author of The Serpent King and In the Wild Light

San Jose, 1999. Jane knows her Vietnamese dad can’t control his temper. Lost in a stupid daydream, she forgot to pick up her seven-year-old brother, Paul, from school. Inside their home, she hands her dad the stick he hits her with. This is how it’s always been. She deserves this. Not because she forgot to pick up Paul, but because at the end of the summer she’s going to leave him when she goes away to college. As Paul retreats inward, Jane realizes she must explain where their dad’s anger comes from. The problem is, she doesn’t quite understand it herself.

Đà Nẵng, 1975. Phúc (pronounced /fo͞ok/, rhymes with duke) is eleven the first time his mother walks him through a field of mines he’s always been warned never to enter. Guided by cracks of moonlight, Phúc moves past fallen airplanes and battle debris to a refugee boat. But before the sun even has a chance to rise, more than half the people aboard will perish. This is only the beginning of Phúc’s perilous journey across the Pacific, which will be fraught with Thai pirates, an unrelenting ocean, starvation, hallucination, and the unfortunate murder of a panda.

Told in the alternating voices of Jane and Phúc, My Father, The Panda Killer is an unflinching story about war and its impact across multiple generations, and how one American teenager forges a path toward accepting her heritage and herself.

Hailed as “One of the best technical painters of our time” by an L.A. Times critic, 27-year-old Aubrey Johnson is finally gaining traction with her work. But as she weaves through what should be a celebration of her art, a single nagging echo of her doctor’s words refuses to stay silent-there is no cure. In less than eight weeks Aubrey is going blind. Traveling on a one-way ticket around the world with childhood friend Jeff Anderson, Aubrey is in complete denial. But a blindfolded game of tasting foreign foods in China jolts her into confronting the reality of her situation. So begins her quest. In this adult coming-of-age story, Aubrey struggles to make sense of her crippling diagnosis. But on her journey she finds a deeper understanding of herself and her life-sometimes fragmented and complex, but always with relentless truth.