From former poet laureate of Kentucky and founder of the Affrilachian Poets, a collection of historical poetry that gives voice to Black Civil War soldiers.

For decades, Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry: from Medgar Evers in Turn Me Loose, winner of the NAACP Award; to York, the enslaved explorer who joined the Lewis and Clark expedition, in Buffalo Dance, winner of the Lillian Smith Book Award. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers―including his own ancestors―who enlisted in the Union Army in exchange for emancipation. Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slaveowners and prominent historical figures―including Frederick Douglas, Abraham Lincoln, and Margaret Garner―into a wide-ranging series of “persona poems” imbued with atmospheric imagery and brimming with indomitable spirit. Evoking the pride and perseverance of formerly enslaved General Charles Young, Walker hums: “I, am America’s promise, my mother’s song, / and the reason my father had every right to dream.”

“In his new book of poems, Love House, Frank X Walker invites his readers in and speaks to them with consummate grace and intimacy about the things that matter most: loving, parenting, aging, living, dying, as well as basketball, birds, gardens, and golf. Walker, who is well known for giving voice to historical characters and bringing their stories to life, uses his insight, imagination, and hard-earned wisdom to write about himself and his family, including secrets, fears, and the unsolved mysteries that underlie daily living. Love House is “made of air, poems, books, and art” and real loving people brought to the page by one of today’s finest and most prolific poets.” – Greg Pape, author of A Field of First Things

The people and places in Appalachia make it a rich, multifaceted, and diverse region. When author Frank X Walker first coined the phrase “Affrilachia,” he wanted to ensure that the voices and accomplishments of African Americans in that region were recognized and exalted. A Is for Affrilachia not only brings awareness of notable African Americans from this region, but this inspired children’s alphabet book is also an exuberant celebration of the people, physical spaces, and historical events that may not be as well-known in mainstream educational structures.

When Frank X Walker’s compelling collection of personal poems was first released in 2004, it told the story of the infamous Lewis and Clark expedition from the point of view of York, who was enslaved to Clark and became the first African American man to traverse the continent. The fictionalized poems in Buffalo Dance form a narrative of York’s inner journey before, during, and after the expedition—a journey from slavery to freedom, from the plantation to the great Northwest, from servant to soul yearning to be free.
In this expanded edition, Walker utilizes extensive historical research, interviews, transcribed oral histories from the Nez Perce Reservation, art, and empathy to breathe new life into an important but overlooked historical figure. Featuring a new historical essay, preface, and sixteen additional poems, this powerful work speaks to such themes as racism, the power of literacy, the inhumanity of slavery, and the crimes against Native Americans, while reawakening and reclaiming the lost “voice” of York.

A milestone book of poetry at the intersection of Appalachian and African American literature.

In this pathbreaking debut collection, poet Frank X Walker tells the story of growing up young, Black, artistic, and male in one of America’s most misunderstood geographical regions. As a proud Kentucky native, Walker created the word “Affrilachia” to render visible the unique intersectional experience of African Americans living in the rural and Appalachian South.

Since its publication in 2000, Affrilachia has seen wide classroom use, and is recognized as one of the foundational works of the Affrilachian Poets, a community of writers offering new ways to think about diversity in the Appalachian region and beyond.

“We all wear masks. There are people with whom we can take our masks off and speak from the heart. Professor Walker is an expert in masks, or personas. And he well knows that sometimes masks let us speak deep truths about the world. He also knows masks sometimes protect us, sometimes keep us from ourselves, and sometimes cause us pain. Paul Dunbar, in “We Wear the Mask,” asks of the world and of poetry, “Why should the world be over-wise, / In counting all our tears and sighs?” Yet, it seems that now, as then, the world pays too little attention to the tears and sighs about which Dunbar sings. We are so grateful that Walker has taken the time to sit with death and pain and heartbreak, to sit and tune his voice to sing these elegies, so that we can gather around him to sing through our tears with head held high. ” -Jeremy Paden

In his latest collection, Last Will, Last Testament, Frank X Walker turns the same unflinching gaze he’s committed to historic figures now towards his own lineage. As these poems bear witness in real time to his father’s last breaths even as his new son takes his first, Walker serves again as the linchpin between generations. Ever a master distiller of the heart, Walker presents us with, arguably, his most complex elixir to date, best imbibed with no chaser. — Bianca Lynne Spriggs

“Up until this point in American history, no poet has written an honest and believable lament about the crippling effects from the tornado swirl of a crack pipe, how a little rock being melted between thin mesh screen creates pallid smoke: a monster, a slave to the white lady that is cocaine. In About Flight, Frank X Walker gives us the beautiful ugly narrative of a brother who is wrestling with chemical dependency, and losing. The high, in all of its beautiful contradictions takes on the metaphor of flight, and so we soar through the terrible highs and lows of a protagonist who carries his family with him into the den of iniquity.” –Randall Horton